Model Ebihara Yuri 蛯原友里 ( known affectionately as Ebi-chan here in Japan ) strikes a pose with the Roasted Sesame Ebi Filet-O Shrimp Burger which went on sale last week.
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Takeru from Freedom and Ray from Steamboy greet visitors at the entrance of Sunrise Emotion Animation Studios ( Steamboy Studios ) in Ogikubo, Tokyo. We’ve just moved to this bigger studio last week ( which actually is just a block down the road ), check out this older post.In case you are wondering why that Steamboy cardboard figure look like it was made by a fan, that’s because its really old ( Steamboy took 8 years to complete ), and must have been made during the early stages of production, maybe even before Ray Steam’s character design was finalized.
While most of the the action is happening at the Anime Expo in California with the release of Freedom on HD dvd, back in the studio work goes on for the 6th installment of the television commercial that will go on air later in July, in conjunction with the release Freedom 4. I was just watching the rough cut during the production meeting this afternoon and one of the scenes from the commercial bears resemblence to Utada Hikaru’s Deep River promo clip. Her song “Kiss and Cry” will continue to be used as the theme music.
Natsu wa Soumen da ! Sappari shita !
There’s nothing like some refreshing Soumen with Tempura in the sizzling summer heat. Peculiar as it seems summer temperatures in Tokyo can get higher than Singapore, so to keep cool eating Soumen’s a great idea, not to mention tasty.
I remember my first summer in Tokyo 3 years ago, when I was still staying with my good friends Takeshi+kojima. It was a particularly hot day and I had prepared a bowl of steaming kimchi ramen for lunch, something which my two Japanese friends found incredibly amazing. As a person born in the tropics I was certainly up to the task of finishing that bowl of ramen even in summer temperatures, but to the two of them the notion of eating hot noodles in summer was so insane they that stared at me as if I was about to feast on some live centipedes.
I’m in the midst of a much needed one week holiday after the completion of Freedom 4 and am just spending most of my free time doing nothing…and enjoying every minute of it.
Steamboy Studios in Ogikubo, Tokyo. Previously the workplace for Otomo Katsuhiro’s Steamboy crew, its now home to the Freedom Committee team.
The year was 1989. I was on a usual weekend family visit to my grandparents place. It was totally mundane and largely routine; we would always arrive in the mid afternoon, have dinner prepared by my grandmother, and then head home around 9 or 10 o’clock. But something that would transpire that evening made it an unforgettable day etched forever in my memory. My youngest uncle, whom me and my brother liked immensely because of his huge collection of Japanese comics and cartoons, was once again poised to impress us with his latest acquisitions. Popping the laserdisc ( I still remember vividly those huge and cumbersome laserdiscs, awkward by today’s standards but state of the art then ) into the player as the film started, the television screen was filled by the image of a huge and hulking crater, as a bold red title appeared.
The film was Akira. Neither me nor my brother had ever seen anything as devastatingly powerful and at once shocking; indeed, few animation films past and present can challenge the sheer awe and depth of this groundbreaking animation masterpiece. I was immediately hooked; I must have lived and breathed Akira for years to come, watching the film countless times and poring over the comics, its imaginative and detail artwork the stuff I wish I could one day, if even just a tiny percentage of that beauty, recreate.
Fast forward 17 years into the future, I am now 27 and on a film scholarship here in Tokyo, Japan. Its a cold October evening and I’m rushing around like a madman in Ogikubo, searching frantically for the studio where I was supposed to attend an interview for a job that should have started 30 minutes ago.
“Where the hell have you been ? Get the f**k outta here, we do not entertain late comers.” These nightmarish thoughts, soon to become reality I figure, flashed over and over again in my mind.
* * *
One hour later. I emerged from the studio, bowing profusely. The director said he liked the work he saw on my website, hopes for me to begin work with them soon.
The name of the studio, stuck nonchalantly on the door, read Steamboy Studios; the name of the assignment that I am soon to embark on : Project Freedom; character designer; Katsuhiro Otomo.
I’m greatly honoured to join the Project Freedom committee, standing on the shoulder of giants. To me, the chance of working on a Otomo Katsuhiro film is nothing short of a dream come true. I live a blessed life, I think.
Here are the 300kbs, 500kbs, and 1Mbs previews of Freedom.
A recent 16mm film shoot filling up 2 weekends have had me appreciate the value of sleep in a way I had not since the army days; let’s hope at least the rushes turn out decent. As we wrap up things on this shoot preproduction starts for my final year project, in between a serious and earnest lookout for a job opening here in Tokyo. Amidst these hustling events just as I am about to lose sense of all time and purpose an appropriately timed present from my Korean sharemate ushers me back to one of my most cherished creative inspiration; a book procured from a 2nd hand book store; a Iwai Shunji’s Love Letter photobook, for less than 1.50 singapore dollars. To me, its true worth can hardly ever be calculated.
On planet Tokyo, people travel to work in elevators. I mean lifts. No I mean cars damn it. But cars are elevators. So are lifts cars too ? Or are elevators lifts ? I’m confused !!!!
I could have just died of esctacy right there in Shinkiba’s club Ageha on Friday when Paul Van Dyk finished up his dizzying 3 hour set with the mind blowing tunes from his magnum opus track “For An Angel”. PVD me anytime, anywhere.
Babes galore, rush hour in Shibuya station. This is but only half of the entire ad spread.
Revisits to familiar tourists’ spots like the Meiji Jingu and Shibuya’s 109 junction as I accompanied my 2 friends Gabriel and Waimeng from Singapore had me tuning my accustomed eyes to little hidden nooks and corners, delightful sights I never knew existed; indeed, god is in the details.
