Posts Tagged ‘akira’

The Art of Steamboy Part I : The Storyboards

Posted By yonghow on September 26th, 2010


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Orange / Koji Morimoto / Scrapbook

Posted By yonghow on September 22nd, 2010

Orange / Koji Morimoto / Scrapbook
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Cannabis Works – Tatsuyuki Tanaka Art Book Review

Posted By yonghow on September 11th, 2010

Cannabis Works - Tatsuyuki Tanaka Art Book
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Kaba – Otomo Katsuhiro Art Book Review

Posted By yonghow on September 11th, 2009

Kaba - Otomo Katsuhiro Art Book Review 大友克洋アートワーク
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Revisiting the Art of Akira Part III – The Continuity of Akira

Posted By yonghow on April 25th, 2009


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Revisiting the Art of Akira Part II – Akira Club

Posted By yonghow on March 25th, 2009

Akira Club Art Book Review アキラクラブ 大友克洋 画集
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Revisiting the Art of Akira Part I – Akira Animation Archives

Posted By yonghow on March 2nd, 2009

Akira Animation Archives Art Book Review
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Akira on Blu-ray

Posted By yonghow on December 18th, 2008


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Who is Katsuhiro Otomo ? 大友克洋 新解説

Posted By yonghow on September 13th, 2007


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Freedom Committee’s celebration parties

Posted By yonghow on April 14th, 2007

Freedom Committee’s celebration parties are always the best time to catch up on some industry news and gossips, considering all of us are always buried under a ton of work on normal working days. Yesterday we were out celebrating the completion of Freedom’s 5th television commercial that is to go live on Japan TV from the 20th April, I will post some pictures once press is released. Matsui-san, my lighting chief, handed me the reins for this project; I must have lighted about 75 percent of all the cuts in this commercial. Tiring, but satisfying too.

Anyway, here are the snippets:

Trivia 1) During the early pre-production stages for Freedom, Otomo Katsuhiro was deciding who should head the project, and Makoto Shinkai, whose achievements on Distant Star is somewhat of a legend, was also considered. It would have been interesting to see how Freedom would have turned out if he had indeed been director.

Trivia 2) Small talk turned to Genius Party, Studio 4C’s soon to be released animation film. Interestingly, Morita-san, Freedom’s director, used to work in 4C.

Trivia 3) Tatsuyuki Tanaka is one of the directors for Genius Party, author of the amazing artbook “Cannabis Works“. Tatsuyuki worked as an animator on Akira; remember Tetsuo’s mutating hand ? Sajiki-san, Freedom’s character and concept artist, calls him “an absolute genius”. Ditto.

Animation giants

Posted By yonghow on December 13th, 2006

Its 6 weeks into work here at Freedom Committee and I continue to be astounded by the animation giants that surround me. ( I am composing this post in a rare studio moment where work stands still for a second while waiting for lighting jobs to come in. ) For starters, my effects chief Yamaura-san, a nice lady who offered us delicious croissants last week, worked on Morimoto’s Noiseman Sound Insect, as well as Glay’s Survival 2D, a piece very personal to me because I first saw it as an animation student 8 years ago and which had a very big influence on my final year animation project. Then there’s Abe-san, the colour designer, who addresses me as kou-chan, worked on Jinroh The Wolf Brigade and Watabe-san, the background artist and mecha designer, whose credits include Ghost in the Shell 1 & 2, Patlabor 2, Nausicaa, and of course, Akira. The list continues. I’m pretty microscopic around here, a tiny microbe stuck on a speck of dust.

Ok, back to work…

Updates on work

Posted By yonghow on November 3rd, 2006

Some cool stuff that comes along with work on Freedom Project : 1) My email address is myname@steamboy.net, which I am more than ok with; 2) Otomo ( yes, the dude who created that somewhat famous animation Akira ) came by the studio yesterday, tying up some loose ends on a new animation film soon to be released. His work desk by the way, is really untidy…ha.

Here at Sunrise Studios Ogikubo work has commenced on episode 2 of Freedom, with epsiode 1 scheduled for dvd release later this month. Today as the entire Freedom team sat down with the director to run through the storyboard it dawned on me that I was the only foreigner working on Freedom. I wonder if I should feel hououred or alienated, perhaps a bit of both. Its no mistake however that my companions are some of the most talented animators here in Japan, many of whom have worked on Otomo’s Steamboy; my animation “supervisor” is a kid 21 years old.

So…back to work.