Posts Tagged ‘Japan’

On location in Minami-Sunamachi. Principle photography has wrapped and editing is in the works for a short film about 2 ladies who start a cat fight over a cheesecake. As the cameraman for the shoot I also got a humble cameo ( actually almost everyone else in the team did a cameo )as an english teacher ( in a TV advertisement within the film )who tries unsuccesfully to instruct proper pronounciation for the word Cheesecake ( read as chee-su-ke-ki in Japanese ). Now that was great fun.

Having tried out the great Meiji Jingu Jam ( Check out this entry; )in Harajuku during last year’s New Year’s Eve I figured I’ll go see something else this year; the great Ameyoko Jam, a very popular shopping street in Ueno, think a Japanese version of Chinatown on Lunar New Year’s Eve. Mingling into the crowd I was literally carried around involuntarily by the human traffic and I soon decided to just go with the flow, snapping whatever interesting that came into view. After that it was a laidback, quiet New Year’s dinner with some friends ( most others had gone back to their hometowns to celebrate New Year ); and yes, still secretly yearning for that intoxicated, sloshed out PVD party.

Recently just as I was starting to get jaded with the largely nondescript, unsatisfying Japanese films that I have had access to here in Tokyo, comes a mind blowing piece of work that utterly sweeps me off my feet, myself smiling and swearing unwittingly throughout the film’s viewing, marvelling at its sheer brilliance and beauty. Based on a short story of the same name by renowned writer Murakami Haruki, Tony Takitani ( directed by Ichikawa Jun, whose previous film Byoin De Shinu To Iu Koto ironically inflicted me with severe soporificism ) explores the issues of isolation, solitude and loss. This film is in a word, beautiful; the quiet photography, subdued palette of colours that lend to the film’s intended feeling of emptiness, the music, poised piano arrangements mirroring the visual’s quiescent mood, the treatment and art direction, each scene decorated with the aloofness of an Edward Hopper painting, the screenplay, conversations and exchanges like soothing poetry but with non of the rigidity, more like the words of a child, honest, direct, austere. My highest recommendations.

You can get the Japanese 2 disc special edition of the dvd here.

As Typhoon No 14 lashed past central Japan plains glancing past Tokyo the winds here were still strong enough to give me one of those Stormriders hairdos as I struggled to get to school today. On my way home as I got off the train station I was greeted with a quaint and nostalgic sight; in the far distance the setting sun has spilled a wondrous palette of reds and oranges reflecting off the voluminous clouds, framed by the distinctive silhouetted rooftops of Japanese houses and cascading cables that stretched from post to post. A beautiful sight by any other day, but more significant today because I had created an exact image of it a full 6 years ago for my final year animation project.

Truly, this is the Shinjuku Dreams.

An invitation from my good friends Takeshi+Kojima for a summer vacation in Takeshi’s hometown Gunma ( a largely rural prefecture north of Tokyo, very Riri ShuShu-ish. ) was an excellent way to kickstart the vacation, although temperatures there soared to a searing 37.1 degrees as we arrived, threatening to set my short crop on fire. This time round armed with a video camera documentation was high on the tasklist, and the highlights certainly had to include a drive up mountain Akagiyama ( home to the manga and film Initial D, although the drive up the winding roads gave me none of that “need for speed” gusto but a splitting headache instead. ), as well as the annual Takasaki summer festival, complete with fireworks and folkdances.

Although I would had very much preferred a sloshed out, frenetic PVD treatment to celebrate the new year things turned out fairly different as we ended up in Meiji Jingu ( a famous Shrine in Harajuku where the Emperor chills out ) for a more traditional proceeding. Packed to the brim on New Year’s Eve every year everyone thronged to toss coins before the altar wishing for happiness and long life.

Hayao Miyazaki’s Studio Ghibli, the birthplace of revered animation pieces like Mononoke Hime and Spirited Away, is located in Koganei, Tokyo, a quiet suburban neighbourhood about 15 minutes trainride away from Shinjuku. Hidden in a peaceful corner surrounded by typical Japanese households, its identity is only revealed by the studio sign in front of its front porch, no totoro statue, no Ohmu figurine, as unassuming and modest as it can be. On its side entrance a meeting room with glass windows reveals original Miyazaki artwork hanging on the walls. Entrance into the actual building is strictly for staff members only, but I was already more than awed to be in such close quarters where some of the world’s most wondrous animation pieces were created.

Next stop, Ghibli Museum, Mitaka Tokyo.

Some pictures of my rented place in Meguro, Tokyo, where I’ll be staying. Big thanks to Mr Takeshi, my landlord of sorts. I like the big windows just next to bed.

Also, the Singapore International Filmfest website is up, is it just me or there are so few films this year ?