Posts Tagged ‘Film’

Watching 300 on the big screen was a pretty intense experience. ( Yes, I know, Singapore had already screened it during the last ice-age, but in Japan the folks so need their subtitles. ) I don’t think I’ve felt so exhilarated watching a film ever since Ang Lee’s Hulk took to the skies, and that’s a full 4 years ago. I guess Japan makes up for its slow releases by printing really nice Pressbooks ( pictured below ) neat little booklets that feature the film’s synopsis, photographs, etc. As far as I know Japan is the only country that has movie Pressbooks.

While we are on the subject of 300, let’s talk alittle about Gerald Butler ( King Leonidas ). Did you know that he once appeared in 007’s Tomorrow Never Dies ? ( the one with Michelle Yeoh as the Bond Girl ) He was a crew member on a battleship and appears on screen for about one second and had a one liner – blink, scratch your nose, and you’ll miss him. Even the radar he was reading off had longer screen time. Here’s another actor with a similar story; Alfred Molina ( Doc Oct in Spiderman 2 ) in Spielberg’s Raiders of the Lost Ark. ( made in 1981, when I was two, my goodness ) Remember the early scene when Jones steals the Aztec Gold figurine and his partner makes off with it, only to get impaled on spikes ? Yep, that was Alfred Molina for you.

What’s my point ? Everyones’ gotta start somewhere, I guess. We might be small fries now, but with hard work, perseverence, and a little luck, we might just make it big in whatever we are doing…or not. Still, you enjoyed that little movie trivia…no ?

I swear, after watching Zack Snyder’s dizzyingly intense trailer for his film 300 I almost wanted to leap out of that weary cubicle seat of my, hunt down the nearest gym and sign up for 2 lifetime memberships to start working out some serious abs. Well, almost, until the thoughts of Jiro ramen ( the biggest, baddest ramen you’ll ever eat ) for lunch wafted my mind, certainly something as satisfying as having beautiful abs, though somewhat significantly easier to accomplish. Speaking of which, California Fitness Club should definitely do a tie-in with this film, and I bet they’ll see their membership numbers shoot right through the roof.

In any case, an eagerly awaited film. And when is medieval Japan’s release date for this ? Check it; June 2007, a full 3 months behind the entire universe, so lengthy a time I could have worked out leaner abs than Gerald Butler by the time it hits Japan shores. I just need to get Jiro out of my head.

Films Retrospect 2006

Total tally for films watched in 2006 stands at 28 in theatres and 96 on dvds, making that 124 in all ( Click here to see the entire list ), down from 178 in 2005. This decline is largely due to a full 5 month hiatus from summer as I got bogged down by my film project and job search. Here are my top 10 favourite films viewed in 2006, in no particular merit.

1)Pride and Prejudice (Joe Wright)
2)Munich (Spielberg)
3)Children of Men (Alphonso Cuaron)
4)Proof (John Madden)
5)Crash (Paul Haggis)
6)The Constant Gardener (Fernando Meirelles)
7)Wallace and Gromit : Curse of the Wererabbit (Steve Box/Nick Park)
8)Planet Earth (Documentary, David Attenborough)
9)Paprika (Kon Satoshi)
X)Matchpoint (Woody Allen)

It is regrettable my access to the latest films are always at least 4 to 6 months behind the living world due to Japan’s inexplicable slow release system, which I am more than resigned to having been here for almost 3 years. Notably Korean and Japanese films are missing from my favourites as there hadn’t been any winners like Tony Takitani last year. I hope to catch The Host soon. A few other notable films I enjoyed were Lord of War by Andrew Niccol, I’ve been his fan ever since Gattaca; Team America World Police, Jarhead, and A History of Violence. I think the worst film of 2006 had got to be Eragon.

With that, here’s to a bountiful year ahead for film watching !

Watching Reality Bites (1994) for the first time in its entirety brings back very fond memories of my early secondary days where the nostalgic soundtrack featuring Lisa Loeb’s “Stay” was one of the first CD’s I ever owned, and this was still way back in the early 1990’s where the now mesozoic cassette tapes were been slowly but surely supplanted by CDs, a fate they themselves seemed doomed to reiterate in the wake of digital music.

That aside, Reality Bites is an extremely important film in recent cinematic history not only because its serves as an irreplacable memory bookmark in an early chapter of my life ( the transition from bespectacled, nerdy primary school kid to bespectacled, nerdy secondary school kid ), but more importantly because its the emblematic teen-angsty, quasi-intelligent, 90s era defining film, just as what the Matrix Trilogy had done for the new millenium years. This once again demonstrates the power of the cinema and its ability to change worlds and shape lives, deliberate or not. Now the debate of whether Bites was a good or bad film requires another article altogether, but undisputedly, it had one heck of a bloody good soundtrack, bar Sharona or none.

Ok, the person in the bottom photo’s not me, but its going to be one day, I promise you that. (You just wait Jason. Ha. *green with envy*) Still not getting the picture ? Watch Iwai Shunji’s Love Letter.

I wonder if the collective filmmakers ( I would like to think at least half of them had to be sane when the film was shot ) who took part in Chen Kaige’s latest film The Promise knew how *beep* ridiculous the notion of a man capable of running faster than the speed of light is. ( trivia; not even our fastest, most advanced fighter plane today can reach even a mere 1% of light speed, which if possible, would already be at an astonishing 30000km/sec. Yes, that’s just 1 measly percent. )Sure, you say, its a movie, but this is way more than pushing the audience’s ability to suspend their disbelief; its downright insulting. Contestant No.1 for this year’s worst film watched. AVOID AVOID AVOID.

So beautiful and realistic is Weta’s rendition of King Kong ( with the chompy chirpy Rexes coming in a close 2nd, though I still feel the Rexes from Jurassic Park are the most realistic ever ) that barely five minutes past his first appearance in the film I have lost the ability to visualize him as a CG character generated from mere pixels and texture maps but instead saw him more as a real performer with an emormous, overwhelming presence. King Kong is an oversized silverback with a soft spot for beautiful blondes such as Naomi Watts, and I wonder how Jane Goodall and Diane Fossey would feel if they ever sat through this film, admiration or distaste. There can be no ambivalence however, that King Kong is going to be one of the best effects films released this year.

Films Retrospect 2005

Total tally for films watched in 2005 stands at 28 in theatres and 150 on dvds, making that 178 in all ( Click here to see the entire list ), averaging out to about 1 film every 2 days for the entire year. Here are my top 10 favourite films viewed in 2005, in no particular merit.

1)The Machinist (Brad Anderson)
2)Not One Less (Zhang Yimou)
3)Tony Takitani (Ichikawa Jun)
4)Batman Begins (Christopher Nolan)
5)Cha No Aji (Ishii Katsuhito)
6)Bourne Supremacy (Paul Greengrass)
7)Million Dollar Baby (Clint Eastwood)
8)Life Of Mammals (Documentary, David Attenborough)
9)Paris, Texas (Wim Wenders)
X)Majo No Takkyubin (Miyazaki Hayao)

Certainly it was tough trying to sift just 10 films out of 178, there were many other entertaining capers like Constantine and Starwars EP3, as well as films that had very outstanding visuals ie Lemony Snicket’s, also others worth mentioning like Hotel Rwanda and Daremoshiranai. Due to the exorbitant price of tickets here in Tokyo, exacerbated by its cretaceous release dates the abililty to view the latest films plunged dramatically, but the silver lining was that rental stores here stock many old titles that I was able to catch up on.

With that, here’s to another bountiful year ahead for movie viewing ! :]

The initial impression upon watching Hou Hsiao Hsien’s Millenium Mambo, ( especially the first scene where we have Hsu Chi strolling down this bridge as the camera follows behind her, shot perhaps on a 48 or 60 framer ), was how much it reminded me of the splendid Korean film Take Care of My Cat. 2 things : 1) The dreamy and carefree, immediately memorable music ( I liken it to the pleasurable feeling of intoxication, without any of the nasty side effects )that give both films their characteristic mood, and 2) each fall into that risky category of cinema where there is no clearly established plotline; nothing important seem to be happening most of the time onscreen; there is no apparent premise or conclusion, and in the case of Mambo the potential bore factor skyrockets because the photographer is Lee Pingbin, who loves to lock down his camera and shoot empty compositions where the actors are completely out of frame. 3 other directors who have an affinity for this form of narrative comes to mind : Hu Jinho, Tsai Mingliang, and Robert Altman.

I cannot better explain their style of storytelling by this saying : The journey is the destination. Next stop, Hou Hsiao Hsien’s latest film Zhu Hao De Shi Guang ( Three Times ).

Fright nights twice in a row with viewings of Gibson’s Passion of the Christ and then Scott’s Hannibal, I think I’ve been served enough cinematic blood and gore for a long time to come. Meanwhile, Yukisada Isao ( director of Shouting Out Love, ) makes a surprise visit to school, popping into our art direction class today to give us a few words on filmmaking. I just had to disagree with his views on the deficits of recent Korea cinema; evidently, if you have been catching up on the cream of the crop, it has never been stronger.

Despite having watched a total of over 140 films ( and still counting ) on a mixture of dvd and cinema screenings so far this year ( this is excluding film appreciation seatings in school now ), the unthinkable, unprecedented has still happened : I have not yet seen even one of the 31 new films reviewed in this December’s issue of Sight and Sound, which by far is still the most insightful and well written film magazine ( except of course the peerless Singaporean FIRST, with reviews so intellectually potent I’ve uncontrollably vomited blood per read. ) I’ve ever read, thus making its recommendations so incredibly important.

This alarming event can be ascribed to 1) The exorbitant pricing of cinema tickets in Tokyo, charging rates fitting for seatings perhaps 20 years in the future, 2) The ironically Precambrian rate by which new films hit Tokyo shores, where by the time they actually start screening them the dvd copy of the same film would have long since been colonized by dust mites in Amazon’s warehouses, and 3) My sadly tondemonai level of japanese which largely prevents me from renting most foreign films ( read films from France, Germany, Spain, Italy, Russia, Korea, etc ) that carries no english subtitles. I fear if a remedy is not formulated soon enough, I’ll be missing treasure troves of films by near future Godards, Truffauts and Renoirs.

Suffering, revenge, and finally salvation, the 3 recurring themes in Park Chan Wook’s “Revenge” trilogy comes full circle as the series ends with Sympathy for Lady Vengeance. I have to admit I’m not the biggest fan of Oldboy ( as compared to other excellent korean films per se ) and I’ve yet to see Sympathy for Mr. Vengeance, the first in the series ( though reliable sources from my personal Korean film guide and classmate Mr Kim has it that it ranks the highest of the three films on the gore-ometer, which may influence viewing decisions a wee bit ), but nontheless Lady Vengeance proved interesting enough ( even with me half struggling with the Japanese subtitles, you lucky bastards back home. ) Some memorable cameos come and go, rounding up main characters from the 2 former films. Gotta catch this one again.