Posts Tagged ‘Cinematography’

Cary Fukunaga’s Jane Eyre

Posted By yonghow on May 23rd, 2011


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Mark Romanek’s Never Let Me Go

Posted By yonghow on March 3rd, 2011


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The cinematography of Robert Elswit

Posted By yonghow on October 31st, 2010


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Christopher Nolan’s Inception

Posted By yonghow on May 16th, 2010


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Posted in Film

Tim Burton’s Alice in Wonderland

Posted By yonghow on July 31st, 2009


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Michael Mann’s Public Enemies

Posted By yonghow on March 7th, 2009


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Posted in Film

Atonement

Posted By yonghow on November 18th, 2008


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Posted in Film

David Attenborough’s Life in Cold Blood

Posted By yonghow on July 26th, 2008


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Rule of Thirds, se7en, and the beautiful work of Darius Khondji

Posted By yonghow on March 18th, 2008


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The Lives of Others ( Das Leben de Anderen )

Posted By yonghow on October 11th, 2007


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Chiaroscuro – From Caravaggio to Harris Savides

Posted By yonghow on August 7th, 2007

I believe I first heard of the obscure word Chiaroscuro many many years ago as an art elective student in Victoria School – My then art teacher, a distinguished Irish gentleman named Paul O’shea, was an accomplished artist who taught the subject with such passionate fervor that Art history left a deep, lasting impression on me and continues to be a big source of inspiration for my works today. Mr O’shea also pronounced Chiaroscuro ( and Contrapposto ) beautifully; I lucidly remember my classmates and me grinning in childish pleasure every time the word escaped his lips.

Chiaroscuro, simply put, means light and darkness. In painting terms, it denotes the use of deep variations in and subtle gradations of light and shade to create the illusion of three-dimensionality, often to dramatic effect. The Baroque artist Caravaggio was a champion of Chiaroscuro, creating paintings ( Supper at Emmaus, below ) as hauntingly beautiful now as they were 400 years ago.

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Tears of the Sea

Posted By yonghow on September 23rd, 2006

Some screengrabs off my recently completed graduation film project “Umi no Namida” ( Tears of the Sea ), where I tripled as cameraman/cinematography, storyboard artist, as well as editor. For any filmmaker there’s always the indescribable rush of excitment and pleasure as one watches the film take shape slowly during the editing stage, so I guess those all-nighters hadn’t gone to waste.