Posts Tagged ‘Anime’

Its confirmed: Freedom Project will be seeing its US release on the 26th of June 2007, with both DVD and HD DVD versions to be made available. I’m wondering how the entire marketing campaign for the US version will turn out should they remove the Nissin Cup Noodles elements, ( Freedom been a huge tie up animation project with the giant noodle company Nissin, a ubiquitious, household name here in Japan but probably not in the states, making it somewhat irrelevant ) but I hope it turns out catchy in any case.

With the bulk of work for Freedom 3 completed there is finally some time to catch my breath before the rush sets in again when Freedom’s TV commercial postpro starts, and not till that is finished may I, there are rumours abound, get a week off work. I think I’m just going to sprout wings and fly straight out of the studio when that actually happens.

Anyway. I was fairly thrilled yesterday to recieve Abe-san’s signature on my Jinroh Boxset ( see pic below ) ; its always been one of my favourite animation films since watching it a full 8 years ago at the Singapore Film Festival. Abe-san, who was previously from IG and had also worked on GITS SAC, commented she too was a newbie when she joined Jinroh’s production. ( she’s now the colour designer for Freedom project. )

Outside work I also finished my 2 year film school at Toho Gakuen, here’s a photo at the graduation ceremony with my classmate from Shanghai, ( he tells me the animation studio that made Monkey God and Nezha is just right behind his house, s**t. ) we had quite a time shooting our graduation film together. See this post.

That’s all the updates for now I think. Its spring in Tokyo. I need a break !

Designs for 2 separate full page ad spreads now appearing in various Japan magazines for the release of Freedom II, marvel comics style. Sajiki-san, our most talented illustrator, referenced old copies of Akira graphic novels previously published by Epic comics and emulated a smilar inking style. Sweet.

Sitting in for a preview screening of Freedom 2 with the rest of my colleagues yesterday I was engulfed by a pang of surreality watching the scenes I had so painstakingly lighted for the past 2 months materialize in its final, finished form, complete with background art and effects. Calculating the number of shots I was assigned, I must have lighted about 1/4 of the entire episode, the rest covered by my chief Matsui-san and some minor scenes subbed out to other studios.

Later in the evening at Freedom 2’s celebration party I had a chat with the director Morita-san, where I was told more and more challenging scenes will be assigned to me from Freedom 3 onwards. That simply translates as reduced sleeping hours, non existent weekends, a constant sophorific state. Heck, bring it on I say.

Freedom 2 will hit the stores from Febuary 22th and is available for preorder from Amazon here.

I’ve got all three bikes parked in my garage, had them shined this morning too.

All Illustrations by Sajiki-san, our character and concept designer, whose usually serious and calm demeanour vanishes inexplicably to be replaced by loud, gregarious laughs and silly antics everytime he gets into a conversation with Matsui-san, my lighting chief, who oddly enough displays the same affliction. Crazy folks.

Yesterday we were handed the storyboard for Freedom 3, which promises more action scenes than both 1 and 2 put together. I can’t wait to see the finished product, but with significantly more shots than Freedom 2, it simply means more time in front of my workstation for the next 2 months or so.

Those were some screencaps off the 4th 30 second spot for Freedom now playing on Japanese television. You can also catch it streaming from the official Freedom website here.

Happy New Year folks !

Today the entire Freedom Committee team bugged out of the office earlier for our ( 3 newcomers, including myself ) welcome party. Certainly its but a good excuse for everyone to get sloshed but the Japanese do take their drinking very seriously !
The lowermost photograph just above this text shows ( from L to R ), Matsui-san, my lighting, rendering and compositing chief, next Morita-san, director of Freedom Project, and Sajiki-san, whom together with Morita-san were the genius minds behind Kakurenbo, the award winning short animation film.

With Freedom 1 releasing on the 24th this month and its preorders hitting the number one spot ( beating Stand Alone Complex, yeah ! ) on many Japanese websites I suppose there’s reason for some celebration afterall. Next stop, Freedom 2.

Get yours today.

Browsing through a dvd shop in Shinjuku this evening I was pleasantly surprised to see Freedom Previsited soldout only a day after its release; I suspect the same to happen for Series one , slated for a late November release. Order yours today from Amazon Japan ! Haha. I was thinking wishfully that perhaps I might be entitled to a free copy when I start work but I ordered one anyway to boost Freedom Committee’s sales. What’s left to do is just the anxious wait for Otomo to pop by the studio…

The year was 1989. I was on a usual weekend family visit to my grandparents place. It was totally mundane and largely routine; we would always arrive in the mid afternoon, have dinner prepared by my grandmother, and then head home around 9 or 10 o’clock. But something that would transpire that evening made it an unforgettable day etched forever in my memory. My youngest uncle, whom me and my brother liked immensely because of his huge collection of Japanese comics and cartoons, was once again poised to impress us with his latest acquisitions. Popping the laserdisc ( I still remember vividly those huge and cumbersome laserdiscs, awkward by today’s standards but state of the art then ) into the player as the film started, the television screen was filled by the image of a huge and hulking crater, as a bold red title appeared.

The film was Akira. Neither me nor my brother had ever seen anything as devastatingly powerful and at once shocking; indeed, few animation films past and present can challenge the sheer awe and depth of this groundbreaking animation masterpiece. I was immediately hooked; I must have lived and breathed Akira for years to come, watching the film countless times and poring over the comics, its imaginative and detail artwork the stuff I wish I could one day, if even just a tiny percentage of that beauty, recreate.

Fast forward 17 years into the future, I am now 27 and on a film scholarship here in Tokyo, Japan. Its a cold October evening and I’m rushing around like a madman in Ogikubo, searching frantically for the studio where I was supposed to attend an interview for a job that should have started 30 minutes ago.

“Where the hell have you been ? Get the f**k outta here, we do not entertain late comers.” These nightmarish thoughts, soon to become reality I figure, flashed over and over again in my mind.

* * *

One hour later. I emerged from the studio, bowing profusely. The director said he liked the work he saw on my website, hopes for me to begin work with them soon.

The name of the studio, stuck nonchalantly on the door, read Steamboy Studios; the name of the assignment that I am soon to embark on : Project Freedom; character designer; Katsuhiro Otomo.

I’m greatly honoured to join the Project Freedom committee, standing on the shoulder of giants. To me, the chance of working on a Otomo Katsuhiro film is nothing short of a dream come true. I live a blessed life, I think.

Here are the 300kbs, 500kbs, and 1Mbs previews of Freedom.

Today, the 29th of December, 2005 will go down in my personal history as the day where I, an infinitesimal and paltry existence on this planet, meets Miyazaki Hayao, world renowned animator and master of the Ghibli Universe. No, I didn’t see him at a premiere for a new animation film; nor was it at a press conference or anything of this loud, official nature; I met him while he was on his way to work ( at Ghibli Studios in Musashi Koganei, not far from where I live ), driving pass my bicycle as I stopped at a junction, with one hand on the steering wheel and the other holding a cigarette, the smoke trailing from his vintage car as he drove away. I stood flabbergasted for a long time, anticipating Totoros to trod along too, but they did, in a way I guess, in the spirit of their brilliant creator.

Sweet, sweet eye candy from start till end, Nomura Tetsuya’s Final Fantasy VII : Advent Children is the ultimate culmination of the brilliant CG work conjured up by the artists at SquareEnix ( formerly SquareSoft ), dating back to the then revolutionary Squall Leonheart character in 1999. This time round what sets Advent Children apart from 2001’s FF Spirits Within is not so much the faithfulness it stays to the game’s original material, but more the presence of impossibly, devastatingly neat characters. Top that with sleek Anime style editing, photography and beautifully animated fight sequences, Nomura has created a film tailor made for FF fans, with none of that sanitized Hollywood treatment in sight. This is the definitive, bona fide Final Fantasy.