Just this evening I was tidying up one of my neglected cabinets when to my pleasant surprise I struck treasure. Its always funny how some very old things kept away for a long time can elicit memories drawn from that period of time. I’ve always had this foible of collecting movie ticket stubs and what I found predated my existing collection for a good three years. Its akin to an archaelogist finding some significant artifact that predates the existing ones. Hard to describe that feeling. Anyway it was this ticket stub of the closing film for the 9th Singapore Film Festival, held in 1996, titled Memories by the famed animator Otomo Katsuhiro that gave us Akira. It was an excellent film, but the memories associated with it was not least because of that but of a very memorable experience I had just before the show started…

Me and my friend had arrived early at the now defunct Capitol theatre and was making our way up the main entrance, and as we were walking up the steps we suddenly realized a huge group of people beside us also moving into the theatre lobby. With a little curiosity I took a casual glance at that group of people and saw that they were actually herded round this slightly plump, bearded man of about 50 years of age. My friend, ever in a mood for witty remarks, said : “That’s gotta be Otomo himself.” I laughed out loud, saying that it was a ridiculous thought, for he had better things to do than to come down to Singapore for just a screening of his movie. As we settled down in the theatre just before the show started, a commentator appeared on the stage and announced :”Here today we are indeed honoured to have the creator of the animation, Mr Katsuhiro Otomo, to say a few words…”

The Japanese film Dark Water is of the more satisfying horror films i’ve seen in a long while, far surpassing its Hollywood counterparts with their cliche, cheap scares consisting of little more than its fair share of blood and gore, incessant loud and in your face special effects. Dark water succeeds with its intensely eerie combination of dank, superbly lit sets and subtle, almost unbearable camera movement that beckons your eye to follow in anticipation. I was most impressed and petrified by its well lit, or rather under lit corridors, those long arches shrouded in a dark, perpetual gloom that seem to lead to a void of indescribable horror. No one is making me walk down one of those corridors. Though in my opinion the scare factor is still below that of the Ring , Dark water have like what my friend Gatchaman has mentioned, an added dimension of emotional depth that carries the film as more than just a simple horror show, plus at the same time a more subtle social lesson in order : neglect your children, and the worst nightmares that may come to bear will surface will terrifying results.

My Sassy Girl ( Yeopgijeogin geunyeo ) stars the devastatingly beautiful girl Jeong Ji Hyun of Il Mare, which by and large is one of my favourite Korean movies of all time. By virtue of this alone I was bent on watching my Sassy Girl, and although it lacks the melancholic sentimentality of Il Mare, is still one heck of a funny and at times romantic movie.

The Korean word `Yupgi’ means ”to be curious about and search for creepy and uncanny things or events.” But it has become a most fashionable pop culture code word, meaning anything nonsensical and implying something creepy but cool and funny. It’s become a buzzword in Korea in recent years, especially in cyberspace. Kim Ho-Sik’s hit serial story on the Internet, [Yupgi Girl], surely played a critical role in spreading and wedging the word “yupgi” into the collective consciousness as the hippest culture code. Yupgi Girl, starring Cha Tae-Hyeon and Jeon Ji-Hyeon, is a film adaptation of Kim’s Internet serial of the same title. The movie follows Kyon-wu (Cha’s) narration, in which Jun Ji-Hyeon is called “the girl.” (This presumably lovely female principal, strangely, doesn’t even have a name, although she is the person who commits herself to all those yupgi demeanors.) Kyon-wu saves a girl who was apparently about to be crushed by an oncoming subway train. What made that sleek girl with glowing long hair and white face almost throw her life away in front of a subway train? Alcohol. As a complement to for this yupgi girl who throws up, dead drunk, on the wig and then on the very bald head of an elderly man in the subway, who becomes angry, hits him with her fists and shouts abusive words at him, Kyon-wu is a light-as-air character who is ready to serve this too high- spirited but pretty girl. The lively, sprightly, refreshingly charming actors, Cha and Jun, are the reasons to go to see this film, which is full of light-hearted laughter for the first 100 minutes before jumping ahead three years into a farfetched leap of plot for the last 20 minutes.

Just to let you in a little on the details of this movie; many of the scenes, costumes, lines were borrowed heavily from a few other korean movies, Il Mare itself included, as sort of comedic parodies. If you pay close attention to what’s actually happening throughout the movie, you’d be sure to spot one many spoofs, connections and hints that would allow you to better understand the somewhat ambiguous ending. There’s a 2 disc dvd set on sale at dvdasian.com, which promises more secrets and easter eggs, and I’m going weak at the knees already.