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Ayanami Rei from Evangelion graces the September cover of Rolling Stone Japan.

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Takeru from Freedom and Ray from Steamboy greet visitors at the entrance of Sunrise Emotion Animation Studios ( Steamboy Studios ) in Ogikubo, Tokyo. We’ve just moved to this bigger studio last week ( which actually is just a block down the road ), check out this older post.In case you are wondering why that Steamboy cardboard figure look like it was made by a fan, that’s because its really old ( Steamboy took 8 years to complete ), and must have been made during the early stages of production, maybe even before Ray Steam’s character design was finalized.

While most of the the action is happening at the Anime Expo in California with the release of Freedom on HD dvd, back in the studio work goes on for the 6th installment of the television commercial that will go on air later in July, in conjunction with the release Freedom 4. I was just watching the rough cut during the production meeting this afternoon and one of the scenes from the commercial bears resemblence to Utada Hikaru’s Deep River promo clip. Her song “Kiss and Cry” will continue to be used as the theme music.

Takeru graces the lid of a Nissin Cup Noodle, illustrated by Sajiki-san. In Japanese it says “Mobile item get campaign”, to spare you a splitting headache from trying to figure out what that means its basically a promotion for a chance to win some Freedom merchandise by accessing Nissin’s website using your mobile phone. I’ve known this to exist for quite a while now but its the first time I’ve actually bought one that came with the contest form attached.

The earlier campaigns featured the Otomo Katsuhiro illustrated Takeru ( the image I have on my sidebar ) which had Freedom fans eating insane volumes of Cup ramen just to collect it.

Meanwhile at work Freedom 4 is finally completed after slogging 18 hours daily on fine-tunes for the past few days. *Minor spoilers ahead* This episode must be the most hilarious so far with Takeru and Bisu’s misadventures on earth. We’ve also spruced up the opening sequence, I can’t show any images as yet but stay tuned for more updates.

There’s good reason for a little elation today as lighting for Freedom episode 4 is finally completed, a total of about 350 shots spread between me and my chief Matsui-san, averaging about 10 cuts per day. Its a big relief there were no Crab Robos ( folks who have been following the series should know these critters, nasty buggers not only in Eden but to us too, for they consist of so many individual moving parts our workstations slow down to a crawl whenever there is one in the scene; imagine having to light a dozen. ) this time round or we would have been dragging polygons through molasses again.

Over dinner with 2 of my colleagues at Sukiya banter turned to the topic of life after Freedom – where each of us are heading or are planning to do and Matsui-san expressed his interest in games design.

“Square Enix huh ?”, I suggested, the obvious top candidate to mention.

“Jyoudanjyane ?( which roughly translates as “Are you kidding me ?” ) Advent Children was neat, but what if I get assigned to the fluid simluation detail ? I’ll drown before the first week is up.” and we had a good laugh.

If I may be allowed to explain his derangement, Matsui-san was just voicing his innate fear of pigeonhole specialization in Square Enix, or actually any other major effects company for that matter, where you can be assigned to a specific task, say, the effect of a drop of water landing on concrete; and drone on that task for eons. The bigger the company, the higher the risk. For the dauntless however, Square runs recruitment ads in CG World every month.

Screen caps from Freedom’s 5th television commercial, airing on Japanwide TV from today on. ( 20th April ) You can watch it from Freedom’s website by following the link below :

http://freedom-project.jp/?filenumber=4018

The theme song for this spot was initially Utada Hikaru’s “Flavour of Life”, but was changed during production to her latest single, “Kiss and Cry”. In any case, I love both the songs.

Freedom Committee’s celebration parties are always the best time to catch up on some industry news and gossips, considering all of us are always buried under a ton of work on normal working days. Yesterday we were out celebrating the completion of Freedom’s 5th television commercial that is to go live on Japan TV from the 20th April, I will post some pictures once press is released. Matsui-san, my lighting chief, handed me the reins for this project; I must have lighted about 75 percent of all the cuts in this commercial. Tiring, but satisfying too.

Anyway, here are the snippets:

Trivia 1) During the early pre-production stages for Freedom, Otomo Katsuhiro was deciding who should head the project, and Makoto Shinkai, whose achievements on Distant Star is somewhat of a legend, was also considered. It would have been interesting to see how Freedom would have turned out if he had indeed been director.

Trivia 2) Small talk turned to Genius Party, Studio 4C’s soon to be released animation film. Interestingly, Morita-san, Freedom’s director, used to work in 4C.

Trivia 3) Tatsuyuki Tanaka is one of the directors for Genius Party, author of the amazing artbook “Cannabis Works“. Tatsuyuki worked as an animator on Akira; remember Tetsuo’s mutating hand ? Sajiki-san, Freedom’s character and concept artist, calls him “an absolute genius”. Ditto.

Respect for Production I.G’s Ghost In The Shell Stand Alone Complex creative team; 26?! mind- blowing episodes that left me completely hooked and hungry for more. As far as quality of the production is concerned, if I may be allowed to translate in our local island colloquial; “biangz, dun play play.” Hanpa ne-.

Respect also, for Japanese photographer/filmmaker Ninagawa Mika. This lady has a near frightening, unbelievable sense of colour. Bleeding from the eyes may result from prolonged viewing of her imagery. Bleed away right here : http://ninamika.com/

Bollocks. Gotta work harder.

Sitting in for a preview screening of Freedom 2 with the rest of my colleagues yesterday I was engulfed by a pang of surreality watching the scenes I had so painstakingly lighted for the past 2 months materialize in its final, finished form, complete with background art and effects. Calculating the number of shots I was assigned, I must have lighted about 1/4 of the entire episode, the rest covered by my chief Matsui-san and some minor scenes subbed out to other studios.

Later in the evening at Freedom 2’s celebration party I had a chat with the director Morita-san, where I was told more and more challenging scenes will be assigned to me from Freedom 3 onwards. That simply translates as reduced sleeping hours, non existent weekends, a constant sophorific state. Heck, bring it on I say.

Freedom 2 will hit the stores from Febuary 22th and is available for preorder from Amazon here.

Its 6 weeks into work here at Freedom Committee and I continue to be astounded by the animation giants that surround me. ( I am composing this post in a rare studio moment where work stands still for a second while waiting for lighting jobs to come in. ) For starters, my effects chief Yamaura-san, a nice lady who offered us delicious croissants last week, worked on Morimoto’s Noiseman Sound Insect, as well as Glay’s Survival 2D, a piece very personal to me because I first saw it as an animation student 8 years ago and which had a very big influence on my final year animation project. Then there’s Abe-san, the colour designer, who addresses me as kou-chan, worked on Jinroh The Wolf Brigade and Watabe-san, the background artist and mecha designer, whose credits include Ghost in the Shell 1 & 2, Patlabor 2, Nausicaa, and of course, Akira. The list continues. I’m pretty microscopic around here, a tiny microbe stuck on a speck of dust.

Ok, back to work…

Working 12 hour days is becoming the norm as the deadline for Freedom 2 draws closer, and with the animators finishing up their scenes work is piling up as they get passed on to us for lighting and rendering. Just last friday we had first look at the 30 second spot for Freedom 2 that will be up on Japan TV soon, and it feels great to be involved in a project that is always on air, at least for the better part of the next 2 years until Freedom Project concludes with episode 7. Crunch time has barely started.

I’ve not had any decent chance to watch films the past few months, but with me settling down pretty comfortably at work now I really want to make up for lost time. Its time to get back to the source.

Steamboy Studios in Ogikubo, Tokyo. Previously the workplace for Otomo Katsuhiro’s Steamboy crew, its now home to the Freedom Committee team.

Today the entire Freedom Committee team bugged out of the office earlier for our ( 3 newcomers, including myself ) welcome party. Certainly its but a good excuse for everyone to get sloshed but the Japanese do take their drinking very seriously !
The lowermost photograph just above this text shows ( from L to R ), Matsui-san, my lighting, rendering and compositing chief, next Morita-san, director of Freedom Project, and Sajiki-san, whom together with Morita-san were the genius minds behind Kakurenbo, the award winning short animation film.

With Freedom 1 releasing on the 24th this month and its preorders hitting the number one spot ( beating Stand Alone Complex, yeah ! ) on many Japanese websites I suppose there’s reason for some celebration afterall. Next stop, Freedom 2.