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With the bulk of work for Freedom 3 completed there is finally some time to catch my breath before the rush sets in again when Freedom’s TV commercial postpro starts, and not till that is finished may I, there are rumours abound, get a week off work. I think I’m just going to sprout wings and fly straight out of the studio when that actually happens.

Anyway. I was fairly thrilled yesterday to recieve Abe-san’s signature on my Jinroh Boxset ( see pic below ) ; its always been one of my favourite animation films since watching it a full 8 years ago at the Singapore Film Festival. Abe-san, who was previously from IG and had also worked on GITS SAC, commented she too was a newbie when she joined Jinroh’s production. ( she’s now the colour designer for Freedom project. )

Outside work I also finished my 2 year film school at Toho Gakuen, here’s a photo at the graduation ceremony with my classmate from Shanghai, ( he tells me the animation studio that made Monkey God and Nezha is just right behind his house, s**t. ) we had quite a time shooting our graduation film together. See this post.

That’s all the updates for now I think. Its spring in Tokyo. I need a break !

Cover art for Freedom 2 dvd.

Get yours today.

Browsing through a dvd shop in Shinjuku this evening I was pleasantly surprised to see Freedom Previsited soldout only a day after its release; I suspect the same to happen for Series one , slated for a late November release. Order yours today from Amazon Japan ! Haha. I was thinking wishfully that perhaps I might be entitled to a free copy when I start work but I ordered one anyway to boost Freedom Committee’s sales. What’s left to do is just the anxious wait for Otomo to pop by the studio…

Recently just as I was starting to get jaded with the largely nondescript, unsatisfying Japanese films that I have had access to here in Tokyo, comes a mind blowing piece of work that utterly sweeps me off my feet, myself smiling and swearing unwittingly throughout the film’s viewing, marvelling at its sheer brilliance and beauty. Based on a short story of the same name by renowned writer Murakami Haruki, Tony Takitani ( directed by Ichikawa Jun, whose previous film Byoin De Shinu To Iu Koto ironically inflicted me with severe soporificism ) explores the issues of isolation, solitude and loss. This film is in a word, beautiful; the quiet photography, subdued palette of colours that lend to the film’s intended feeling of emptiness, the music, poised piano arrangements mirroring the visual’s quiescent mood, the treatment and art direction, each scene decorated with the aloofness of an Edward Hopper painting, the screenplay, conversations and exchanges like soothing poetry but with non of the rigidity, more like the words of a child, honest, direct, austere. My highest recommendations.

You can get the Japanese 2 disc special edition of the dvd here.